Étienne Fay (1768-1845) (notice n° 1635886)

détails MARC
000 -LEADER
fixed length control field 02587cam a2200301 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20260111142300.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Quéval, Marie-Hélène
Relator term author
245 00 - TITLE STATEMENT
Title Étienne Fay (1768-1845)
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2021.<br/>
500 ## - GENERAL NOTE
General note 52
520 ## - SUMMARY, ETC.
Summary, etc. Dans quelle mesure la Révolution de 1789 a-t-elle transformé les traditions musicales ? Dans le cadre de la déchristianisation, la fermeture des chapitres et des psallettes qui seules offraient aux enfants pauvres une formation musicale de qualité, contraignit de nombreux musiciens d’église à se reconvertir sur la scène profane : opéra, opéra-comique, comme le chanteur-compositeur tourangeau Étienne Fay (1768-1845), qui, après une carrière respectable au théâtre de Louvois, Favart et Feydeau, finit par former sa propre troupe avec sa femme et ses enfants pour se produire en France, en Belgique et en Allemagne. Bien qu’ayant collaboré avec des écrivains engagés, comme le jacobin Dubuisson, Fay resta en dehors des luttes préférant soutenir les réformes napoléoniennes. Son parcours original et son œuvre (dans la lignée de Gluck) méritent d’être sortis de l’ombre.
520 ## - SUMMARY, ETC.
Summary, etc. How much did the Revolution change musical traditions? In the context of dechristianization, the closure of chapter houses and choir schools which were the only places to provide poor children with some quality musical training, constrained many church musicians to switch to secular stages (such as opera, comic-opera) as did Étienne Fay (1768-1845), a singer-cum-composer born in Tours, who after a respectable career at the Louvois, Favart and Feydeau theatres, ended up coaching his own company with his wife and children in order to put on pro-ductions in France, Belgium and Germany. Despite having collaborated with committed writers such as the radical Jacobin Dubuisson, Fay stayed clear of the conflict, remaining loyal to the reforms of Napoleon. His career path and his work, in Gluck’s footsteps, deserve to be lifted from out of the shadows.
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Étienne Fay
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element musique
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Opéra-comique
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Révolution française
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Théâtre
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Étienne Fay
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element French Revolution
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element music
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Opéra-comique
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element theatre
700 10 - ADDED ENTRY--PERSONAL NAME
Personal name Noûs, Camille
Relator term author
786 0# - DATA SOURCE ENTRY
Note Dix-huitième siècle | 53 | 1 | 2021-06-28 | p. 561-578 | 0070-6760
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/revue-dix-huitieme-siecle-2021-1-page-561?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-dix-huitieme-siecle-2021-1-page-561?lang=fr&redirect-ssocas=7080</a>

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