“Soul Song, and Formal Necessity”: A Reading of “A Disused Shed in Co. Wexford” by Derek Mahon (notice n° 164547)
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| fixed length control field | 01197cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112033608.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Boisseau, Maryvonne |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | “Soul Song, and Formal Necessity”: A Reading of “A Disused Shed in Co. Wexford” by Derek Mahon |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2003.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 97 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Time and History figure as constant preoccupations in Derek Mahon’s poetry. They appear as the central theme of the much celebrated poem “A Disused Shed in Co. Wexford.” The study of a few different contradictory linguistic markers in this poem will try to show that choices made within the system of the language converge to establish a kind of formal necessity articulating form and content. The poem can be read as a crucial step in Mahon’s poetic itinerary in so far as it reveals the poet’s hesitant stance and aesthetically attempts to link distant times and places and language in a complex and exacting process of writing, rewriting and translating. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Études anglaises | Volume 56 | 2 | 2003-04-01 | p. 162-172 | 0014-195X |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-etudes-anglaises-2003-2-page-162?lang=en">https://shs.cairn.info/journal-etudes-anglaises-2003-2-page-162?lang=en</a> |
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