Le Suspens du roman (notice n° 1650176)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 02426cam a2200325 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260208005021.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Anker, Richard |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Le Suspens du roman |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2010.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 62 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The figural ontology that authorises the Jamesian novel is constituted in a specular turn erecting before the subject, as in a mirror, an image of its original—or rather pre-original—dispossession, itself constituted by the faculty of language. Man doesn’t possess language like a property; language, on the contrary, dispossesses him of himself. Mimesis, or, more precisely, the mimetic or specular turn which constitutes the principle of James’s writing converts this intimate dispossession into a figure of the other apprehended (or misapprehended) by the subject as an alienated figure of the self. While the specular image provides the foundation for the Jamesian centre of consciousness (reflector) and a more or less conventional, if highly speculative, narrative structure, the spectral image places the mimetic turn in suspense, rendering visible the turn itself and reflecting without sufficient difference an image of the subject’s originary dispossession. The speculative movement of the narrative itself being thereby suspended—as in “The Turn of the Screw”—the subject of writing is delivered over to the pure repetition of the mimetic turn: the uncanny— Unheimlichkeit—itself. In “The Jolly Corner,” however, while the speculative dynamic of the narrative achieves itself in typical, if particularly apocalyptic, fashion, the figural ontology of the subject is dislocated at its foundation by a moment of suspension giving way to the “supreme” value, or truth, of the novel as a work of art. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | figural ontology |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mimesis |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | spectral |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | specular turn |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | speculative |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | suspense |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | uncanny |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | inquiétante étrangeté |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mimésis |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | ontologie figurale |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | spectral |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | spéculatif |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | suspens |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | tour spéculaire |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue française d’études américaines | 121 | 3 | 2010-01-29 | p. 7-18 | 0397-7870 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-francaise-d-etudes-americaines-2009-3-page-7?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-francaise-d-etudes-americaines-2009-3-page-7?lang=fr&redirect-ssocas=7080</a> |
Pas d'exemplaire disponible.
Réseaux sociaux