William Shakespeare as Seen by Kenneth Branagh: Challenges and Critiques of an Appropriation (notice n° 165115)
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| fixed length control field | 01200cam a2200169 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112033729.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Berthomieu, Pierre |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | William Shakespeare as Seen by Kenneth Branagh: Challenges and Critiques of an Appropriation |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2002.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 52 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This article analyses how director Kenneth Branagh appropriates Shakespeare’s plays, and inserts them into a personal filmic world dominated by visual and musical sweep. By adding images from the past and from the mind, Branagh creates characters who are endowed with memories and thoughts. His adaptations oscillate between the powerful exhibition of interpolations and the creation of a realistic diegesis, following a Hollywoodian aesthetics which favours logical links and nostalgic reminders. Shakespearean meta-drama then tends to melt away into a fiction in which narrative construction prevails over the disclosure of enunciation. |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Hatchuel, Sarah |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Études anglaises | Volume 55 | 2 | 2002-04-01 | p. 148-156 | 0014-195X |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-etudes-anglaises-2002-2-page-148?lang=en">https://shs.cairn.info/journal-etudes-anglaises-2002-2-page-148?lang=en</a> |
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