Rappeuses japonaises et politiques de visibilité : agentivité, clips et postféminisme (notice n° 1665973)

détails MARC
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control field 20260222002746.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
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100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Chûjô, Chiharu
Relator term author
245 00 - TITLE STATEMENT
Title Rappeuses japonaises et politiques de visibilité : agentivité, clips et postféminisme
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Date of publication, distribution, etc. 2026.<br/>
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General note 96
520 ## - SUMMARY, ETC.
Summary, etc. Cet article analyse les positionnements de rappeuses japonaises dans la société japonaise contemporaine, où le féminisme s’énonce sous une sensibilité post-féministe ambivalente. Dans un écosystème musical qui privilégie la visibilité (télévision, plateformes, partenariats) plutôt que la légitimation du hip-hop comme genre musical, leur agentivité se négocie au croisement de logiques néolibérales (performance individuelle, self-branding) et de formes de sororité. À partir de quatre vidéoclips, nous identifions des gestes d’agentivité – cadrage, montage, intertextes, paratexte – distribués le long d’un continuum allant de l’ajustement et de l’ambivalence aux désalignements. L’étude éclaire les politiques de visibilité qui conditionnent leurs marges d’action.
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Summary, etc. ‪This article analyses the positioning of Japanese women rappers in contemporary Japanese society, where feminism is expressed through an ambivalent postfeminist sensibility. Within a music ecosystem that prioritizes visibility (through television, platforms, brand partnerships) over the goal of legitimizing hip hop as a musical genre, the agency of women rappers is situated between a neoliberal logics (individual performance, self-branding) and forms of sisterhood. Through analysis of four music videos, we identify various gestures of agency—framing, editing, intertexts and paratexts—ranging from tactical adjustment and ambivalence to overt misalignment. Our study elucidates the politics of visibility that conditions artists’ margins of action.‪
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Topical term or geographic name as entry element agentivité
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Topical term or geographic name as entry element féminisme néolibéral
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Topical term or geographic name as entry element illégitimité paradoxale
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Topical term or geographic name as entry element post-féminisme
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Topical term or geographic name as entry element rap japonais
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Topical term or geographic name as entry element sororité
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Topical term or geographic name as entry element vidéoclip
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Topical term or geographic name as entry element agency
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Topical term or geographic name as entry element Japanese rap
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Topical term or geographic name as entry element music video
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Topical term or geographic name as entry element neoliberal feminism
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Topical term or geographic name as entry element paradoxical illegitimacy
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Topical term or geographic name as entry element postfeminism
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Topical term or geographic name as entry element sisterhood
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Note Études de communication | - | 2 | 2026-02-18 | p. 107-131 | 1270-6841
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/revue-etudes-de-communication-2025-2-page-107?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-etudes-de-communication-2025-2-page-107?lang=fr&redirect-ssocas=7080</a>

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