(Dis)orientations and queer esthetics in Lala &ce’s music videos (notice n° 1678379)
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|---|---|
| fixed length control field | 01038cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260308005413.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Shuman, Emily Q. |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | (Dis)orientations and queer esthetics in Lala &ce’s music videos |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2026.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 14 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In this article we examine the performances of queerness in French rapper Lala &ce’s music videos, and we explore the ways in which esthetic techniques help Lala &ce navigate within rap’s regimes of representation. Our study draws upon Sara Ahmed’s queer phenomenology and José Esteban Muñoz’s theory of disidentification. We analyze four of Lala &ce’s music videos in order to show that tropes of fluidity and linearity orient her performances and enable her to queer the codes of rap from within. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Études de communication | - | 2 | 2026-02-18 | p. 25-43 | 1270-6841 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-etudes-de-communication-2025-2-page-25?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-etudes-de-communication-2025-2-page-25?lang=en&redirect-ssocas=7080</a> |
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