“Mr. Nick Conrad isn’t Edward Norton”. Clips and the Prosecution of French rap (notice n° 1723282)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01331cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260322002423.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Carinos Vasquez, Emmanuelle |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | “Mr. Nick Conrad isn’t Edward Norton”. Clips and the Prosecution of French rap |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2026.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 82 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This article examines the role of music videos in the prosecution of French rap. We show, firstly, that the clips reconfigure the dynamics of controversies about the rap genre. Secondly, we show that judicial treatment of the images, by interpreting them as visual evidence, brings the prosecution of rap in France close to that of the Anglophone world. The use of images can, however, also strengthen the defense of artistic freedom; by avoiding textualization and by allowing comparison with cinema, we defend an approach to the study of artistic controversies which combines external and internal analyses, taking into account issues of legitimacy and racialization processes as well as the work’s material qualities and the “grips” that these qualities give to actors. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Études de communication | - | 2 | 2026-02-18 | p. 65-84 | 1270-6841 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-etudes-de-communication-2025-2-page-65?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-etudes-de-communication-2025-2-page-65?lang=en&redirect-ssocas=7080</a> |
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