Paul Mercier, Dakar dans les années 1950, Edited and with a postface by Jean Copans, foreword by Jean-Luc Bonniol, Paris, Éditions du CTHS, 2021, 335 p. (notice n° 1724114)
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|---|---|
| fixed length control field | 01222cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260322002522.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Dupuy, Francis |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Paul Mercier, Dakar dans les années 1950, Edited and with a postface by Jean Copans, foreword by Jean-Luc Bonniol, Paris, Éditions du CTHS, 2021, 335 p. |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2022.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 87 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Ethnological heritage, and then intangible cultural heritage (ICH), have often been at the heart of new heritage projects over the last thirty years, driven in particular by non-institutional actors such as associations. But this is not the case everywhere. Based on a survey carried out in Picardy (Aisne and Somme), this article examines the reasons why, in this region, heritage associations have been created mainly around the monument and ’great’ history, while attempts by cultural or political institutions to turn into heritage industrial sites, practices or popular objects have hardly met with any response. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Ethnologie française | 52 | 3 | 2022-12-07 | p. 553-555 | 0046-2616 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-ethnologie-francaise-2022-3-page-553?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-ethnologie-francaise-2022-3-page-553?lang=en&redirect-ssocas=7080</a> |
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