Contemporary art, ridicule, and sociology (notice n° 173969)
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control field | 20250112035805.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Heinich, Nathalie |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Contemporary art, ridicule, and sociology |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2001.<br/> |
500 ## - GENERAL NOTE | |
General note | 12 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Appeared with modem art, derision is part of contemporary art. It can take three forms: the mockery of the artists transgressing the common sense aesthetic values; the critic of the viewers reacting by mocking the works or pretending they are but hoaxes; ant the subversion of the works when integrated into the boundaries of art in the name of contestation. What is at stake for the sociologist is not to adopt any of those interpretations, in order to avoid being taken in the very game he has to analyse. |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | subversion |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | derision |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | hoax |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | modern art |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | hermeneutic |
786 0# - DATA SOURCE ENTRY | |
Note | Hermès, La Revue | o 29 | 1 | 2001-04-01 | p. 121-130 | 0767-9513 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-hermes-la-revue-2001-1-page-121?lang=en">https://shs.cairn.info/journal-hermes-la-revue-2001-1-page-121?lang=en</a> |
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