Contemporary art, ridicule, and sociology (notice n° 173969)

détails MARC
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041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Heinich, Nathalie
Relator term author
245 00 - TITLE STATEMENT
Title Contemporary art, ridicule, and sociology
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2001.<br/>
500 ## - GENERAL NOTE
General note 12
520 ## - SUMMARY, ETC.
Summary, etc. Appeared with modem art, derision is part of contemporary art. It can take three forms: the mockery of the artists transgressing the common sense aesthetic values; the critic of the viewers reacting by mocking the works or pretending they are but hoaxes; ant the subversion of the works when integrated into the boundaries of art in the name of contestation. What is at stake for the sociologist is not to adopt any of those interpretations, in order to avoid being taken in the very game he has to analyse.
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element subversion
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element derision
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element hoax
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element modern art
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Topical term or geographic name as entry element hermeneutic
786 0# - DATA SOURCE ENTRY
Note Hermès, La Revue | o 29 | 1 | 2001-04-01 | p. 121-130 | 0767-9513
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-hermes-la-revue-2001-1-page-121?lang=en">https://shs.cairn.info/journal-hermes-la-revue-2001-1-page-121?lang=en</a>

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