Africana Women Writers (notice n° 18160)

détails MARC
000 -LEADER
fixed length control field 02531cam a2200277zu 4500
003 - CONTROL NUMBER IDENTIFIER
control field FRCYB88843692
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250107111954.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250107s2013 fr | o|||||0|0|||eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781433113802
035 ## - SYSTEM CONTROL NUMBER
System control number FRCYB88843692
040 ## - CATALOGING SOURCE
Original cataloging agency FR-PaCSA
Language of cataloging en
Transcribing agency
Description conventions rda
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Marzette, DeLinda
245 01 - TITLE STATEMENT
Title Africana Women Writers
Remainder of title Performing Diaspora, Staging Healing
Statement of responsibility, etc. ['Marzette, DeLinda']
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Name of producer, publisher, distributor, manufacturer Peter Lang
Date of production, publication, distribution, manufacture, or copyright notice 2013
300 ## - PHYSICAL DESCRIPTION
Extent p.
336 ## - CONTENT TYPE
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type code c
Source rdamdedia
338 ## - CARRIER TYPE
Carrier type code c
Source rdacarrier
520 ## - SUMMARY, ETC.
Summary, etc. Africana Women Writers: Performing Diaspora, Staging Healing focuses on contemporary literary works, plays in particular, written after 1976 by Africana women writers. From a cross-cultural, transnational perspective, the author examines how these women writers – emanating from Cameroon (Nicole Werewere Liking), Britain (Winsome Pinnock), Guadeloupe (Maryse Condé and Simone Schwartz-Bart), Nigeria (Tess Onwueme), and the United States (Ntozake Shange) – move beyond static, conventional notions regarding blackness and being female and reconfigure newer identities and spaces to thrive. DeLinda Marzette explores the numerous ways these women writers create black female agency and vital, energizing communities. Contextually, she uses the term diaspora to refer to the mass dispersal of peoples from their homelands – herein Africa – to other global locations; objects of diasporic dispersal, these individuals then become a kind of migrant, physically and psychologically. Each author shares a diasporic heritage; hence, much of their subjects, settings, and themes express diaspora consciousness. Marzette explores who these women are, how they define themselves, how they convey and experience their worlds, how they broach, loosen, and explode the multiple yokes of race, class, and gender-based oppression and exploitation in their works. What is fostered, encouraged, shunned, ignored – the spoken, the unspoken and, perhaps, the unspeakable – are all issues of critical exploration. Ultimately, all the women of this study depend on female bonds for survival, enrichment, healing, and hope. The plays by these women are especially important in that they add a diverse dimension to the standard dramatic canon.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element
700 0# - ADDED ENTRY--PERSONAL NAME
Personal name Marzette, DeLinda
856 40 - ELECTRONIC LOCATION AND ACCESS
Access method Cyberlibris
Uniform Resource Identifier <a href="https://international.scholarvox.com/netsen/book/88843692">https://international.scholarvox.com/netsen/book/88843692</a>
Electronic format type text/html
Host name

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