Gender, Genre, and the Myth of Human Singularity (notice n° 18177)

détails MARC
000 -LEADER
fixed length control field 02453cam a2200277zu 4500
003 - CONTROL NUMBER IDENTIFIER
control field FRCYB88843718
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250107112004.0
008 - FIXED-LENGTH DATA ELEMENTS--GENERAL INFORMATION
fixed length control field 250107s2013 fr | o|||||0|0|||eng d
020 ## - INTERNATIONAL STANDARD BOOK NUMBER
International Standard Book Number 9781433117060
035 ## - SYSTEM CONTROL NUMBER
System control number FRCYB88843718
040 ## - CATALOGING SOURCE
Original cataloging agency FR-PaCSA
Language of cataloging en
Transcribing agency
Description conventions rda
100 1# - MAIN ENTRY--PERSONAL NAME
Personal name Tabor
245 01 - TITLE STATEMENT
Title Gender, Genre, and the Myth of Human Singularity
Statement of responsibility, etc. ['Tabor']
264 #1 - PRODUCTION, PUBLICATION, DISTRIBUTION, MANUFACTURE, AND COPYRIGHT NOTICE
Name of producer, publisher, distributor, manufacturer Peter Lang
Date of production, publication, distribution, manufacture, or copyright notice 2013
300 ## - PHYSICAL DESCRIPTION
Extent p.
336 ## - CONTENT TYPE
Content type code txt
Source rdacontent
337 ## - MEDIA TYPE
Media type code c
Source rdamdedia
338 ## - CARRIER TYPE
Carrier type code c
Source rdacarrier
520 ## - SUMMARY, ETC.
Summary, etc. In literary works, the law of genre – generic boundaries determined by institutions and conventions of art and literature – reacts to threats of impurity. The three significant modernist works addressed herein by James Joyce (Ulysses), Virginia Woolf (Between the Acts), and Gertrude Stein (Doctor Faustus Lights the Lights) break time-honored gender and genre laws, thus challenging the discourses of power. This violation of laws creates a duality in which play/novel and female/male are intertwined. Women behave as men, men as women, plays act as novels, and so forth. In this way they challenge expectations about categorization: literary, social, and otherwise. Beginning with Joyce and continuing with Woolf and Stein, Gender, Genre, and the Myth of Singularity examines the intersections of these various experiments in hybridity, analyzing and historicizing literary techniques and methodologies – and their consequences. To the extent that postmodernist literature often presents a fragmented and unstable world where reality is multi-interpretive and eschews the primacy of Western cultural systems and norms, these texts are postmodernist in that they do not assert a singular truth. Aesthetic genre categories may be linked, in more ways than we know, with the messiness and anxiety of forced classification, with racial and gender laws of purity that threatened death for subjects unable to cleanly conform. The cost of not breaking classificatory laws is high. This book addresses the gender-genre law breaking that transcends the rigidity of either term – drama or fiction; it is the transgressive message itself that, ultimately, links these hybridic performances with modernism.
650 #0 - SUBJECT ADDED ENTRY--TOPICAL TERM
Topical term or geographic name entry element
700 0# - ADDED ENTRY--PERSONAL NAME
Personal name Tabor
856 40 - ELECTRONIC LOCATION AND ACCESS
Access method Cyberlibris
Uniform Resource Identifier <a href="https://international.scholarvox.com/netsen/book/88843718">https://international.scholarvox.com/netsen/book/88843718</a>
Electronic format type text/html
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