Japanese Women Rappers and the Politics of Visibility: Agency, Music Videos and Postfeminism (notice n° 1820405)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01312cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260329003012.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Chûjô, Chiharu |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Japanese Women Rappers and the Politics of Visibility: Agency, Music Videos and Postfeminism |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2026.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 3 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This article analyses the positioning of Japanese women rappers in contemporary Japanese society, where feminism is expressed through an ambivalent postfeminist sensibility. Within a music ecosystem that prioritizes visibility (through television, platforms, brand partnerships) over the goal of legitimizing hip hop as a musical genre, the agency of women rappers is situated between a neoliberal logics (individual performance, self-branding) and forms of sisterhood. Through analysis of four music videos, we identify various gestures of agency—framing, editing, intertexts and paratexts—ranging from tactical adjustment and ambivalence to overt misalignment. Our study elucidates the politics of visibility that conditions artists’ margins of action. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Études de communication | - | 2 | 2026-02-18 | p. 107-131 | 1270-6841 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-etudes-de-communication-2025-2-page-107?lang=en&redirect-ssocas=7080">https://shs.cairn.info/journal-etudes-de-communication-2025-2-page-107?lang=en&redirect-ssocas=7080</a> |
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