“Producing” Contemporary Music in Tashkent (notice n° 182170)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01290cam a2200169 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112042124.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Lisack, Lucille |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | “Producing” Contemporary Music in Tashkent |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2018.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 6 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In this article, I observe an ensemble for « contemporary music » interpreting 20th century works mostly composed by Western composers, but also by Chinese and Korean composers, in Tashkent (Uzbekistan). This observation offers a case study about musical globalisation. The small-scale ethnography allows me to examine historical, political and identity issues on a local level. This paper shows that the small group of Uzbek musicians interpreting foreign composers is not only importing music from abroad. Through their practice, their taste, and their engagement, they are demonstrating their agency in their musical projects. In doing this, they are constantly renegotiating their musical identity in dialogue with external references and influences. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | contemporary music – Tashkent – Uzbekistan – identity building |
| 786 0# - DATA SOURCE ENTRY | |
| Note | L'Homme | o 221 | 1 | 2018-02-23 | p. 115-146 | 0439-4216 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-l-homme-2017-1-page-115?lang=en">https://shs.cairn.info/journal-l-homme-2017-1-page-115?lang=en</a> |
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