Splendor and misery of “ciné-transe”: Jean Rouch’s successive adaptations of a “mysterious” notion (notice n° 182205)
[ vue normale ]
000 -LEADER | |
---|---|
fixed length control field | 02466cam a2200277 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250112042127.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Buob, Baptiste |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Splendor and misery of “ciné-transe”: Jean Rouch’s successive adaptations of a “mysterious” notion |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2018.<br/> |
500 ## - GENERAL NOTE | |
General note | 42 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Greatly influenced by the surrealist movement, Jean Rouch was keen on “putting challenging objects into circulation.” He clearly succeeded in doing so by coining “ciné-transe,” a striking neologism he willingly acknowledged to be somewhat “mysterious.” Ever since, numerous academic publications allude to “ciné-transe,” but no two with the same background meaning. Indeed, its discoverer, Jean Rouch, only very seldom mentions it, and even when he does, his definition varies from one occurrence to the next. Taking for granted that no new exegesis of “ciné-transe” will ever make it fully intelligible, the present contribution will make no attempt at revealing its hidden motivations. It rather intends to pave the reader’s way on a stroll along Jean Rouch’s successive statements, in the hope to reconstruct the lineaments of his intellectual trajectory and perhaps bring to light some of its unnoticed virtues. We will start by showing that “ciné-transe” can be seen as a sort of palimpsest giving access to most if not all of Jean Rouch’s concerns and aspirations, witness to his gradual discarding of the very positivist conception of filming he had long stood by. We will then emphasize that this notion contains several avenues for future research on previously neglected topics. “Ciné-transe,” far from being restricted to what Jean Rouch’s contribution to anthropology is generally reduced to – the invention of shared anthropology – is also a powerful theoretical shifter inviting us to consider that the cinematographic experience can lead to unique encounters with oneself, on either side of the camera. |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Songhay |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | trance |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | ciné-trance |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Jean Rouch |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | ethnofiction |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | visual anthropology |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | possession |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | camera |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | ethnographic cinema |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | improvisation |
786 0# - DATA SOURCE ENTRY | |
Note | L'Homme | o 223-224 | 3 | 2018-06-06 | p. 185-220 | 0439-4216 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-l-homme-2017-3-page-185?lang=en">https://shs.cairn.info/journal-l-homme-2017-3-page-185?lang=en</a> |
Pas d'exemplaire disponible.
Réseaux sociaux