The inner power of images (Tristan, Lancelot and Percival facing the image) (notice n° 183767)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01181cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112042533.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Barre, Aurélie |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | The inner power of images (Tristan, Lancelot and Percival facing the image) |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 28 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Tristan has a statue of the blonde Isolde erected. A prisoner of Morgane, Lancelot depicts his forbidden love with Guinevere. As he walks alone, Percival marvels at three drops of blood which remind him of Blancheflour’s complexion. These texts tell of the advent of an image according to different modes of creation and they sound out their nature, the modality of their presence and their temporal regime. Images are startling. They restore the lost proximity of the loved one, bring his memory back to fill the gap or have it experienced. However, if they retain Tristan, Lancelot or Percival, they also trigger the impulse of narration and writing which takes away the characters beyond them. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Littérature | o 199 | 3 | 2020-09-04 | p. 86-100 | 0047-4800 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-litterature-2020-3-page-86?lang=en">https://shs.cairn.info/journal-litterature-2020-3-page-86?lang=en</a> |
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