Morphology and Mechanisms of a Revolution: Budapest, 1956 (notice n° 186657)
[ vue normale ]
000 -LEADER | |
---|---|
fixed length control field | 01373cam a2200157 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250112043334.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Kecskeméti, Charles |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Morphology and Mechanisms of a Revolution: Budapest, 1956 |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2006.<br/> |
500 ## - GENERAL NOTE | |
General note | 48 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | The revolutionary phenomenon can be grasped through the morphology of collective action and the mechanisms that adapt themselves to the chain of events. A revolution can break out only within a favorable political culture. Two Central European political cultures, of Hungary and Poland, convey the capacity for revolution. As a witness and small time participant (nonetheless a participant), I have a bias. I do not perform here the historian’s work. I wish to share my view of the revolution of 1956 which has remained unchanged for the last fifty years. It could remain unchanged, since living outside of Hungary, I was subjected neither to the propaganda of the reestablished communist regime that influenced people’s thoughts for 33 years nor to nationalist and liberal post-modern speeches that were in fashion since the regime change. |
786 0# - DATA SOURCE ENTRY | |
Note | Matériaux pour l’histoire de notre temps | o 83 | 3 | 2006-07-01 | p. 23-28 | 0769-3206 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-materiaux-pour-l-histoire-de-notre-temps-2006-3-page-23?lang=en">https://shs.cairn.info/journal-materiaux-pour-l-histoire-de-notre-temps-2006-3-page-23?lang=en</a> |
Pas d'exemplaire disponible.
Réseaux sociaux