Du menuet au concerto et à la symphonie : l’analyse de la forme musicale dans les Anfangsgründe zur musicalischen Setzkunst de Joseph Riepel (notice n° 1869013)
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| control field | 20260329012224.0 |
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| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Eckert, Stefan |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Du menuet au concerto et à la symphonie : l’analyse de la forme musicale dans les Anfangsgründe zur musicalischen Setzkunst de Joseph Riepel |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2026.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 59 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | En présentant un résumé des relations entre le menuet, le concerto et la symphonie, l’article fait valoir que les Anfangsgründe zur musikalischen Setzkunst (Principes fondamentaux de la composition musicale) de Joseph Riepel offrent une représentation significative de la conception de la forme musicale au milieu du dix-huitième siècle. Il s’agit là d’une des rares sources présentant des exemples spécifiques et discutant des divers aspects de leur structure musicale tant au niveau de la phrase qu’à plus grande échelle, aspects harmoniques et relations mélodiques inclus. En particulier, l’article met en avant l’idée que le menuet ne constituerait pas seulement un point de départ pratique en raison de sa petite taille, mais que ses quatre sections mélodiques, définies par leur contenu mélodique ainsi que leur terminaison harmonique, formeraient une sorte de syntaxe musicale, créant un cadre pour l’écoute et la composition musicales. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Providing a summary of the interrelationship between minuet, concerto, and symphony, the article argues that Joseph Riepel’s Anfangsgründe zur musicalischen Setzkunst (Fundamentals of Musical Composition), provides important insight into mid-eighteenth-century conception of musical form, as it is one of the few sources that presents specific examples and discusses aspects of their musical structure on both a phrase level as well as from a large-scale perspective, including both harmonic aspects and melodic relationships. Above all, the article argues that the minuet is not just a convenient starting point because of its small size but that the four melodic sections of the minuet, defined by their melodic content and harmonic ending, provide something akin to a musical syntax that creates a framework for listening to and composing music. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | concerto |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Joseph Riepel |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | menuet |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | symphonie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | syntaxe musicale |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | théorie de la composition du xviiie siècle |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | concerto |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | eighteenth-century compositional theory |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Joseph Riepel |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | minuet |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | musical syntax |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | symphony |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Mauduit, Bérengère |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Musurgia | Volume XXXI | 3-4 | 2026-02-17 | p. 7-41 | 1257-7537 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-musurgia-2024-3-page-7?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-musurgia-2024-3-page-7?lang=fr&redirect-ssocas=7080</a> |
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