De la forme du premier Allegro de symphonie selon Heinrich Christoph Koch (notice n° 1869016)
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| fixed length control field | 03002cam a2200349 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260329012225.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Koch, Heinrich Christoph |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | De la forme du premier Allegro de symphonie selon Heinrich Christoph Koch |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2026.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 62 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Ce texte est la traduction d’un extrait du Versuch einer Anleitung zur Composition de Heinrich Christoph Koch consacré à la description de la forme sonate telle qu’elle est mise en œuvre dans un premier mouvement de symphonie. Koch divise la forme sonate en deux parties, et mentionne la possibilité de commencer le mouvement par une section de tempo lent et de caractère sérieux. Dans la première partie, il identifie le thème secondaire, qu’il ne nomme pas ainsi, comme constituant la troisième période. La deuxième partie est divisée en deux sections, dont la deuxième correspond à ce que l’usage moderne nomme la « réexposition ». Koch envisage deux types de construction de cette partie. Le premier type consiste à commencer par le thème principal dans la tonalité de la dominante, qui sera ensuite mené vers une tonalité mineure voisine. Le deuxième type, considéré comme celui qui caractérise les symphonies « modernes », consiste à commencer par un développement modulant d’une phrase ou d’un motif de la première partie qui s’y prête particulièrement bien. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This text is the translation of an excerpt from the Versuch einer Anleitung zur Composition by Heinrich Christoph Koch, which describes the sonata form as it is applied to the first movement of a symphony. Koch divides the sonata form into two parts and mentions the possibility of beginning the movement with a slow, solemn section. In the first part, he identifies the secondary theme (without naming it as such) as constituting the third period. The second part is divided into two sections, the second of which is now acknowledged as the recapitulation. Koch considers two types of structure for this part. The first type consists of beginning with the main theme in the dominant key, which is then led to a neighbouring minor key. The second type, considered as characteristic of the “modern” symphonies, consists of beginning with a modulating development of a phrase or motif from the first part that is particularly well suited to this. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | analyse historique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | forme sonate |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Heinrich Christoph Koch |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | symphonie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Heinrich Christoph Koch |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | historical music theory |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | sonata form |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | symphony |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Rigaudière, Marc |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Musurgia | Volume XXXI | 3-4 | 2026-02-17 | p. 105-111 | 1257-7537 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-musurgia-2024-3-page-105?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-musurgia-2024-3-page-105?lang=fr&redirect-ssocas=7080</a> |
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