L'incommensurable. Le pas de danse qui fait l'humain (notice n° 1879817)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03042cam a2200349 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260329013407.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Bertrand, Dominique |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | L'incommensurable. Le pas de danse qui fait l'humain |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2010.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 9 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | RésuméLa transmission des droits de l’homme – en miroir de la transmission de l’art musical – apparaît comme transmission d’une relation paradoxale entre mesure et démesure, paradoxe qui « fait » l’humain. Le passage du modèle cosmique immuable et parfait – hérité des anciens – à la vision moderne s’opère au xviie siècle, au moment où la musique passe du « Modal » au « Tonal » par le fait d’introduire la tension propre à la dissonance du Diabolus-in-musica dans le modèle imitant la perfection céleste de la musique des Sphères. C’est aussi le passage d’une référence fixe à une référence mutable, caractéristisque de cette entrée dans la modernité. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The transmission of human rights – in mirror of the transmission of musical art – appears as transmission of a paradoxical relationship between measure and no-commensurable, paradox which « makes » the human being. The passage of the irremovable and perfect cosmic model – inherited from ancient – in modern vision takes place in xviie siècle, at the time when music passes from the « Modal » to the « Tonal » by introduction of the tension of the dissonance (Diabolus-in-musica) inside the model imitating the celestial perfection of the music of Spheres. It is also the passage of a reference fixes to a variable, caractéristisque of this entrance in times of modernity |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | ResumenLa transmisión de los derechos humanos – en espejo de la transmisión del arte musical – aparece como transmisión de una relación paradójica entre medida y desmesura, paradoja que « hace » al humano. La transicion del modelo cósmico inmutable y perfecto – heredado de los antiguos – a la visión moderna se produce a xviie siècle, en el momento en el que la música pasa del « Modal » a « Tonal » por el hecho de introducir la tensión spécifica de la disonancia (el Diabolus-in-musica) adentro del modelo que imita la perfección de la música de las Esferas. Es también el paso de una referencia fija a una referencia mudable, caractéristisca de esta entrada a la modernidad. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Diabolus-in-musica |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | incommensurable |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | musique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mutation historique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | poétique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | politique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transmission |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Diabolus-in-musica |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | historical |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | music |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | no commensurable |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | poetic mutation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | political |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transmission |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Insistance | 4 | 1 | 2010-11-29 | p. 47-52 | 1778-7807 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-insistance-2010-1-page-47?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-insistance-2010-1-page-47?lang=fr&redirect-ssocas=7080</a> |
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