La transmission matricielle de la danse contemporaine (notice n° 1906712)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 05810cam a2200325 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260329020618.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Vellet, Joëlle |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | La transmission matricielle de la danse contemporaine |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2006.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 32 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | RésuméNotre étude porte sur l’activité de transmission d’une artiste chorégraphe reconnue, Odile Duboc, lorsqu’elle enseigne sa propre danse (une courte variation chorégraphique de danse contemporaine) à des professeurs de danse hautement qualifiés. Nous décrivons les modalités de transmission mises en œuvre par Odile Duboc dans cette situation précise et nous cherchons à comprendre ce qu’elles apportent de plus que ce que les professeurs experts sont en mesure d’identifier à partir de la seule observation de la vidéo, dont elles disposaient initialement. En étudiant ce processus, nous avons mis en évidence que la chorégraphe utilise les discours dans des buts très spécifiques pour lui permettre de donner accès à la genèse du geste dansé, de façon à permettre aux professeurs de s’approprier les nuances qualitatives propres à cette danse. Nous proposons et développons quatre fonctions spécifiques des discours en situation qui nous permettent de fonder la notion de transmission matricielle. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Our research is about the transmission activity of a famous choreographer, Odile Duboc, when she is teaching her own dance to very highly qualiefed teachers. What is teaching is a short choreographic variation on modern dance. We describe how Odile Duboc is doing to transmit the dance. We are trying to understand the specifity of this transmission and what is given to the teachers to dance that they can’t see and understand when they are just looking for the dance video (as first they had only the video to learn the dance). During the observation and analysis of this transmission process we underline that the choreographer uses discourses in different intentions. And it’s to give access to the origin of the movement and the dance genesis, which is necessary for teachers to understand the dance. We suggest four functions of the discourses in situation and like this we can propose the notion of what we have called the matrix transmission. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | ResumenNuestro estudio se refiere a la actividad de transmisión de una artista coreógrafa reconocida, Odile Duboc, enseñando su propia danza (una corta variación coreográfica de danza contemporánea) a profesores de danza altamente cualificados. Describimos las modalidades de transmisión utilizadas por Odile Duboc en esta situación precisa y intentamos comprender lo que más llevan a lo que los profesores expertos pueden identificar con la única observación del vídeo que tenian inicialmente. Al estudiar este proceso, pusimos de relieve que el coreógrafo utiliza los discursos con objetivos muy específicos para permitirle dar acceso a la génesis del gesto bailado, de manera que debe permitir a los profesores apropiarse los matices cualitativos consustanciales a esta danza. Proponemos y desarrollamos cuatro funciones específicas de los discursos en situación que nos permiten fundar el concepto de transmisión matricial. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | ZusammenfassungBei unserer Studie geht es um die Aktivität der Transmission einer bekannten Choreographin, Odile Duboc, während sie ihren eigenen Tanz (eine kurze choreographische Variation eines zeitgenössischen Tanzes) hoch qualifizierten Tanzlehrern beibringt. Wir beschreiben die Modalitäten der Übermittlung, wie sie von Odile Duboc in dieser präzisen Situation eingesetzt werden, und wir versuchen zu verstehen was sie zusätzlich zu dem beitragen, was qualifizierte Lehrer durch die alleinige Videobeobachtung identifizieren können, die sie anfangs besaßen. Als wir diesen Prozess beobachtet haben, haben wir festgestellt, dass die Choreographin die Rede zu sehr speziellen Zwecken nutzt, um ihr den Zugang zur Genese der getanzten Gestik zu ermöglichen, um so den Lehrern die Möglichkeit zu geben, sich die qualitativen Feinheiten dieses Tanzes anzueignen. Wir schlagen vor und entwickeln 4 spezifische Funktionen der situationsgebundenen Rede, die es uns erlauben den Begriff matrizielle Transmission zu begründen. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | RiassuntoIl nostro studio riguarda l’attività di trasmissione di un’artista coreografa rinomata, Odile Duboc, quando insegna la sua danza (una breve variazione coreografica di danza contemporanea) a professori di danza altamente qualificati. Descriviamo le modalità di trasmissione attuate da Odile Duboc in questa precisa situazione e cerchiamo di comprendere ciò che esse apportano in più rispetto a ciò che i professori esperti sono in grado di identificare partendo dalla sola osservazione della videoregistrazione, di cui disponevano inizialmente. Studiando questo processo, abbiamo evidenziato che la coreografa utilizza i discorsi per scopi molto specifici per permettergli di dare accesso alla genesi del gesto danzato, in modo da permettere ai professori di appropriarsi le sfumature qualitative proprie a questa danza.Proponiamo e sviluppiamo quattro funzioni specifiche dei discorsi in situazioni che ci permettono di fondere la nozione di trasmissione matriciale. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | anthropologie poïétique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | danse |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | discours |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | intervention expert |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transmission |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | « poïétique » anthropology |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | dance |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | discourse |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | expert intervention |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | transmission |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Staps | 72 | 2 | 2006-05-01 | p. 79-91 | 0247-106X |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-staps-2006-2-page-79?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-staps-2006-2-page-79?lang=fr&redirect-ssocas=7080</a> |
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