Why Should the Cinema Speak? (notice n° 193308)
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fixed length control field | 00962cam a2200157 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250112045050.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Brangé, Mireille |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Why Should the Cinema Speak? |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2009.<br/> |
500 ## - GENERAL NOTE | |
General note | 74 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | During the progressive disappearance of the silent movies in the face of the talking pictures, the majority of the writers, people of word, take position in favour of the first one, crystallizing the idea of an ideal film essence connected to the dumbness of the images, to the eviction of the verb and to the autonomy of the cinematographic art. Beyond the reactions to this artistic turning point, we go back over the reasons of this utopian construction and its inevitable disintegration. |
786 0# - DATA SOURCE ENTRY | |
Note | Nouvelle revue d’esthétique | o 4 | 2 | 2009-12-01 | p. 97-104 | 2264-2595 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2009-2-page-97?lang=en">https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2009-2-page-97?lang=en</a> |
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