From the Interpretation of Gestures to the Invention of the Body (notice n° 193327)
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|---|---|
| fixed length control field | 01357cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112045052.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Dalmasso, Véronique |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | From the Interpretation of Gestures to the Invention of the Body |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2009.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 51 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Whilst painting the Life of Saint John the Baptist on the walls of the humanist Cardinal Castiglione's Chapel in the Lombard city of Castiglione Olona in 1435, Masolino da Panicale was among the first painters to associate with the scene of Christ's baptism the figures of the neophytes taking off their clothes on the shores of the Jordan River. The artist borrowed postures or gestures which he provides the neophytes with, using Antique and Byzantine art. Thus, his creation would apparently be an art of imitation. However, those gestures issued from the pictorial tradition could also be perceived as an attempt to address the bearing of time at work in the scene. It is therefore a matter of interpreting those figures that bring into play an artistic memory and past while revealing the stylistic research specific to Renaissance invention. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Nouvelle revue d’esthétique | o 3 | 1 | 2009-06-01 | p. 93-100 | 2264-2595 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2009-1-page-93?lang=en">https://shs.cairn.info/journal-nouvelle-revue-d-esthetique-2009-1-page-93?lang=en</a> |
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