Reporters, politics in fiction (notice n° 194739)
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|---|---|
| fixed length control field | 01944cam a2200217 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112045532.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Boudon, Héloïse |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Reporters, politics in fiction |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2017.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 50 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Broadcast on the French channel Canal + between 2007 and 2009, the fictional series Reporters features the daily life of two news editorial teams . The viewer follows the adventures of journalists, from spot news to investigations. However, while the series focuses mainly on journalists, it does not fail to render the political world and its different actors. The plots of the two seasons spent a large part focusing on the rise of Jacques Barlier, an ambitious interior minister who covets Matignon (the French prime minister’s office) and his communications adviser, Christian Janssen. This exemplary presentation of the path of a politician allows the series to participate in the so-called political series, obviously addressing the collusion between power and journalism, but also revealing the communication strategies of ministerial cabinets. Through a double corpus of original interviews and a content study, this article aims to study the description and the vision of politics and politicians in this series produced by Capa Drama, a division of Capa—a French media organization. For this reason,, the first step in our work is to identify and analyze the “art world” of television production and its characteristics, and then to consider the staging of politics and its processes through the prism of story plots. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | fictionalization |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | journalism |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | TV series |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | politics |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | directing |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Politiques de communication | o 7 | 2 | 2017-01-04 | p. 31-53 | 2271-068X |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-politiques-de-communication-2016-2-page-31?lang=en">https://shs.cairn.info/journal-politiques-de-communication-2016-2-page-31?lang=en</a> |
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