Place of fiction – place of recognition. Theater, gift and thruth (notice n° 204981)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01257cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112052022.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Hénaff, Marcel |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Place of fiction – place of recognition. Theater, gift and thruth |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2022.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 53 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Inviting to go beyond the traditional distinction between mimesis and diegesis, this paper proposes to consider how theater, as an activity of fictional representation of sequences of actions, can be understood in a relevant way according to the category of gift. What is played and given in the theatrical game? This game, like the exchange rituals of traditional societies, is a serious game. It implies in its arrangement and by the effect of the performance, a pact of recognition between actors and spectators. It belongs to a process of relations at the same time empathic and distanced. And it is insofar as each one, in this ludic distance, plays the game that affects can circulate between the stage and the room and that the fiction can exert its catch on the life. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue du MAUSS | o 58 | 2 | 2022-02-18 | p. 115-134 | 1247-4819 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-revue-du-mauss1-2021-2-page-115?lang=en">https://shs.cairn.info/journal-revue-du-mauss1-2021-2-page-115?lang=en</a> |
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