Towards the Image as Symptom: Don DeLillo and the Crisis of the Obvious (notice n° 211292)
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| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112053613.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Tréguer, Florian |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Towards the Image as Symptom: Don DeLillo and the Crisis of the Obvious |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2001.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 28 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Among the various concepts of image in DeLillo's fiction, this study investigates what it problematically defines as the evident image (in its industrial forms: photography, television, video). Its symptomatic qualities (impact, denotation, expressiveness) make it a sharp instrument for questioning the characters' dealings with signs and confronting them with their fascination for truer than life representations. On account of its essential elusiveness, it is also limitative: it upsets perceptual habits and destabilizes language insofar as it becomes incapable of grasping experience. To go beyond this stage of critical recognition, the character/viewer regularly attempts to deconstruct the image, isolate its element of obviousness, through compulsive manipulations (of which repeating, freezing and enlarging are three exemplary forms). |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue française d’études américaines | o 89 | 3 | 2001-06-01 | p. 98-112 | 0397-7870 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2001-3-page-98?lang=en">https://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2001-3-page-98?lang=en</a> |
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