Black Tickets by Jayne Anne Phillips: Outlaw Writing (notice n° 211745)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01655cam a2200217 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112053720.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Durrans, Stéphanie |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Black Tickets by Jayne Anne Phillips: Outlaw Writing |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2003.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 92 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | While Jayne Anne Phillips's first collection of short stories received wide critical acclaim on both sides of the Atlantic, her first novel fell short of fulfilling the expectations generated by this early work. The key to understanding the achievement of Black Tickets partially lies in Phillips's subtle shifts from a minimalist prose to the surrealist depths of an otherwise incantatory mode of writing, a method of composition which she brought to near perfection in her second novel, Shelter. The following paper aims to throw light on the way Phillips actually uses certain aesthetic principles of de-composition to reflect the ethical quandary of a whole generation of Americans at a loss in a world of fluctuating identities and shifting values. She eventually undermines the traditional icons of American society through new modes of perception and representation which allow her to transfigure reality while seeking to bridge the gap between the known and the unknown. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Transcendence |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Anamorphosis |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Dissolution |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Fluctuating identities |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Transfiguration |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue française d’études américaines | o 95 | 1 | 2003-02-01 | p. 118-128 | 0397-7870 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2003-1-page-118?lang=en">https://shs.cairn.info/journal-revue-francaise-d-etudes-americaines-2003-1-page-118?lang=en</a> |
Pas d'exemplaire disponible.
Réseaux sociaux