Arts as an Element of Anxiety in History (notice n° 215377)
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|---|---|
| fixed length control field | 01187cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112054623.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Chimot, Jean-Philippe |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Arts as an Element of Anxiety in History |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2002.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 80 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Admitting distinctive difficulties when we deal with art objects implies that we do not give in to an empirical temptation: instead of spinning out art in artistic practices, we should give greater importance to its inventive function. The job of a historian is not fully done so long as it remains cut off from a continuous thought on the activating power of art. Such an activating power infers potential topicality of all the art objects. Géricault’s appearance in Michelet’s foreword to the Histoire de France (1869) is proposed as it points out, in an inventive mood (historical and artistic altogether) the permanent intervention of art in and on history. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue d’histoire moderne & contemporaine | o 49-3 | 3 | 2002-07-01 | p. 195-208 | 0048-8003 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-revue-d-histoire-moderne-et-contemporaine-2002-3-page-195?lang=en">https://shs.cairn.info/journal-revue-d-histoire-moderne-et-contemporaine-2002-3-page-195?lang=en</a> |
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