Religious Symbols or Decontextualized Forms of Art: Transforming the Role of Images (15th–18th Centuries) (notice n° 216235)

détails MARC
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005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250112054816.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Christin, Olivier
Relator term author
245 00 - TITLE STATEMENT
Title Religious Symbols or Decontextualized Forms of Art: Transforming the Role of Images (15th–18th Centuries)
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2002.<br/>
500 ## - GENERAL NOTE
General note 79
520 ## - SUMMARY, ETC.
Summary, etc. Over the course of the sixteenth to eighteenth centuries, the unequal controversial and partial transformation of religious images (from ones invested with complex liturgical, pedagogic and functions, into decontextualized and universalized works of art, admired solely for their formal qualities and not for the message that they carried originally), only occurred after a series of partially independent and slow historical processes: humanist and protestant criticism of the worship of images, the emergence of modern collections and a market for works of art, the disappearance of the collective forms of religious patronage, crisis of the Christian emphasis. It involves, therefore, a number of extremely diverse protagonists, theologians, artists, patrons, cicerone, who, despite sharing common interests, disagreed on the issue of what the images surrounding them really were.
786 0# - DATA SOURCE ENTRY
Note Revue d’histoire moderne & contemporaine | o 49-3 | 3 | 2002-07-01 | p. 176-194 | 0048-8003
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-revue-d-histoire-moderne-et-contemporaine-2002-3-page-176?lang=en">https://shs.cairn.info/journal-revue-d-histoire-moderne-et-contemporaine-2002-3-page-176?lang=en</a>

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