Philippe Sollers’s response to the Prix Médicis (notice n° 219370)
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|---|---|
| fixed length control field | 01258cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112055617.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Heinich, Nathalie |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Philippe Sollers’s response to the Prix Médicis |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2002.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 31 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This paper is based on an interview with Philippe Sollers addressing his response to his Prix Médicis. It tries to identify the conditions of a particular kind of authorial identity, which consists in constructing and maintaining, in one’s person as well as in one’s work, an “avant-gardist” position, both in a decentered and (increasingly) central way. In this perspective, being recognized with a prize is a very problematic experience, as it goes against the writer’s necessary marginality. Beyond this paradox, proper to the modern condition of authors and artists, we encounter the issue of recognition, and the reasons why it remained so little addressed by the sociology of art and, more generally, by the social sciences. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Revue internationale de Psychosociologie | VIII | 18 | 2002-03-01 | p. 71-86 | 1260-1705 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-revue-internationale-de-psychosociologie-2002-18-page-71?lang=en">https://shs.cairn.info/journal-revue-internationale-de-psychosociologie-2002-18-page-71?lang=en</a> |
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