Goethe’s tree (notice n° 219379)

détails MARC
000 -LEADER
fixed length control field 01428cam a2200157 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250112055617.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Huguet, Jean-Marc
Relator term author
245 00 - TITLE STATEMENT
Title Goethe’s tree
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2002.<br/>
500 ## - GENERAL NOTE
General note 35
520 ## - SUMMARY, ETC.
Summary, etc. Buchenwald is eight kilometers from Weimar. Weimar-the-Beautiful, cradle of German culture, symbolizes German unity, according to Goethe. Weimar-the-Black, Hitler parading at the Elephant Hotel, when he took Thuringia. In the Buchenwald camp, Faust can cry “Even Hell has its own laws.” Boris Taslitzky paints Halbwachs in the Revier de Buchenwald, Zoran Music draws Dachau. Another war at another time, in 1912, at the Neulengbach prison, Egon Schiele “lives a life of profound misery.” Five years later, in the Weimar Republic, the Bauhaus School inaugurated total architectural creativity. Wassily Kandinsky and Paul Klee invented modern art. The Bauhaus was closed in 1933. Art was to be devoted to the glorification of the Volksgemeinschaft, the Nazi national community. The imbrication of good and evil, by the proximity of these places, renders what art can suggest of the unspeakable when the artist rubs shoulders with horror.
786 0# - DATA SOURCE ENTRY
Note Revue internationale de Psychosociologie | VIII | 18 | 2002-03-01 | p. 127-137 | 1260-1705
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-revue-internationale-de-psychosociologie-2002-18-page-127?lang=en">https://shs.cairn.info/journal-revue-internationale-de-psychosociologie-2002-18-page-127?lang=en</a>

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