Stock et flux (notice n° 2210432)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 03313cam a2200409 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20260412000557.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Gilliotte, Quentin |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Stock et flux |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2022.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 88 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Comment les individus classent et organisent les biens culturels numériques ? Pour les biens physiques, classer ses DVD, ses jeux vidéo, ou ses CD par taille, support, genre, auteur, ordre de consommation correspond à des formes d’engagement qui viennent soutenir la consommation des biens culturels, lui donner du sens. Quand il s’agit des biens numériques et qu’il n’y a plus de classification à établir par soi-même, de quelles façons se manifestent les différents niveaux d’engagement dans la pratique ?Nous nous appuyons sur plus de 60 entretiens semi-directifs et sur les données issues d’un questionnaire administré auprès de plus de 2000 répondants par méthode des quotas. L’article montre comment les individus mettent en place des architectures attentionnelles pour ordonner les biens culturels en stock et en flux. Ces pratiques se transforment, et se déplacent de plus en plus vers des formes idiosyncrasiques de classement où l’individu est le principal horizon des pratiques de classification. Il s’agit moins d’ordonner les biens numériques selon des critères institutionnels (le genre, la date, l’ordre alphabétique) que selon des logiques de gestion personnelle de sa consommation. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | How do individuals classify and organize digital cultural goods? Where physical goods are concerned, classifying DVDs, video games or CDs by size, format, genre, author, or order of consumption corresponds to forms of engagement that support the consumption of cultural goods and give them meaning. When it comes to digital goods and there is no longer any classification to be established by oneself, in what ways are the different levels of engagement manifested in practice?We draw on more than 60 semi-structured interviews and on data from a questionnaire administered to over 2,000 respondents using the quota method. The article shows how individuals set up attentional architectures to arrange cultural goods in stocks and flows. These practices are changing and are increasingly moving towards idiosyncratic forms of classification where the individual is the main criterion of classification practices. This is more a question of arranging digital goods according to the personal management of one’s consumption than according to institutional criteria (genre, date, alphabetical order). |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | biens culturels |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | classement |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | films |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | jeux vidéo |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | musique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | numérique |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | organisation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | playlist |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | rangement |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | séries |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cultural goods |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | digital |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | filing |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | films |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | music |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | organization |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | playlist |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | series |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | storage |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | video games |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Réseaux | 232-233 | 2 | 2022-05-23 | p. 229-260 | 0751-7971 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-reseaux-2022-2-page-229?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-reseaux-2022-2-page-229?lang=fr&redirect-ssocas=7080</a> |
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