Gender stereotypes and the visual construction of the artist in the nineteenth century (notice n° 222553)
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fixed length control field | 01384cam a2200157 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250112060416.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Delille, Damien |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Gender stereotypes and the visual construction of the artist in the nineteenth century |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2020.<br/> |
500 ## - GENERAL NOTE | |
General note | 7 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | Feminist theories applied to the visual arts have enabled putting into question the role of gender stereotypes, understood as a category for the visualization and the control of the bodies of women under mechanical reproduction. It is in following its evolution throughout the 19th century through caricature and press illustration that it becomes possible to interpret the assignation of women to domestic roles, the misogyny confronting those stepping out of type, and the creation of types and counter-types in the space devoted to art. Confronted with the normalisation of behaviours and affects, the stereotypes of the Bohemian painter, blue-stocking female artist and homosexual aesthete are so many repulsive figures fascinating to explore. Visual spaces become a somatic field of stigmatization and of political contestation of norms, which fashion in return the gazes modernity allows. |
786 0# - DATA SOURCE ENTRY | |
Note | Romantisme | o 187 | 1 | 2020-03-13 | p. 90-105 | 0048-8593 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-romantisme-2020-1-page-90?lang=en">https://shs.cairn.info/journal-romantisme-2020-1-page-90?lang=en</a> |
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