Polder and Le Siège de Saragosse: Two 1828 stagings that foreshadow Romantic drama (notice n° 222555)
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|---|---|
| fixed length control field | 01190cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112060416.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Cooper, Barbara T. |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Polder and Le Siège de Saragosse: Two 1828 stagings that foreshadow Romantic drama |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 13 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Today it is no longer acceptable to consider the relationship between melodrama and Romantic drama as something solely dictated by chronology. The connection between such works is instead better defined by reciprocal influences that defy the generic boundaries described in textbooks. This essay seeks to reveal the characteristics and exceptional quality of the mises en scène of Polder, ou le Bourreau d’Amsterdam by Guilbert de Pixerécourt and Victor Ducange and Le Siège de Saragosse, d’Antony Béraud, melodramas first performed in 1828, and attempts to show the relationship of those productions to the mises en scène of the Romantic dramas of Alexandre Dumas and Victor Hugo that follow. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Romantisme | o 188 | 2 | 2020-06-11 | p. 9-18 | 0048-8593 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-romantisme-2020-2-page-9?lang=en">https://shs.cairn.info/journal-romantisme-2020-2-page-9?lang=en</a> |
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