“Re-staging” ballets: Jean Aumer at the Porte-Saint-Martin theater, 1802–1805 (notice n° 222563)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01139cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112060417.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Olivesi, Vannina |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | “Re-staging” ballets: Jean Aumer at the Porte-Saint-Martin theater, 1802–1805 |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 14 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This paper focuses on the practice of restaging past choreographies through the figure of Jean Aumer, Ballet Master at the Porte Saint Martin theatre, re-appropriating the ballets of his predecessors, Jean Dauberval and Jean-Baptiste Blache. Using these artists’correspondence, the paper puts in perspective the different meanings of this practice within a reflection on the definition of authorship in dance performance. A comparison between the programmes for Dauberval and Aumer’s Déserteur (1785 and 1804 respectively) allows in the final instance the analysis of the role played by each of their rewritings in the restaging of these ballets. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Romantisme | o 188 | 2 | 2020-06-11 | p. 19-27 | 0048-8593 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-romantisme-2020-2-page-19?lang=en">https://shs.cairn.info/journal-romantisme-2020-2-page-19?lang=en</a> |
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