“Looking at artworks abstractly” (notice n° 223079)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01056cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112060532.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Hamon, Philippe |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | “Looking at artworks abstractly” |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2022.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 100 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Poetics in the 19th century had a difficult time instituting itself as a reflexive discipline to rival aesthetics and literary criticism, built on the ruins and loss of credibility of the old rhetorical disciplines, paradoxically so, since a desire for “method” and scientificity was starting to drive all disciplines. Such a discipline seems to start making an appearance in the margins left fallow by the domination of historical approaches to literature : in caricatures, pamphlets, pastiches, parodies of the typologies of “comic” physiologies, trials, private correspondence, diaries, prefaces, drafts. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Romantisme | o 195 | 1 | 2022-04-01 | p. 14-30 | 0048-8593 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-romantisme-2022-1-page-14?lang=en">https://shs.cairn.info/journal-romantisme-2022-1-page-14?lang=en</a> |
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