Baudelaire and Brussels’ architecture: From imitation to the life of form (notice n° 223089)

détails MARC
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005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250112060532.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Buvat, Margot
Relator term author
245 00 - TITLE STATEMENT
Title Baudelaire and Brussels’ architecture: From imitation to the life of form
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2021.<br/>
500 ## - GENERAL NOTE
General note 83
520 ## - SUMMARY, ETC.
Summary, etc. If a great many of Baudelaire’s fragmentary notes on Belgium (1864-1866) stand out for their violence and their belgophobia, such is not the case for the bundle entitled “Architecture, églises, culte”(“Architecture, churches, cult”) a draft of aesthetic reflections that the poet, it seems, planned to put together in Pauvre Belgique ! (Belgium Stripped Bare). This is because it breaks with the endless rumination which endlessly accuses the Belgians of imitation, and is different from the observations which constantly show up a Belgium monkeying France. This paper, by crossing a reading of Baudelaire with that of the sociologist Gabriel Tarde, purposes to show how the new architectural forms the poet encountered in Brussels enabled him to think about imitation in a more euphoric manner, thinking about the process not only as the angst filled mimetism of copy, but according to its own slow, subterranean and organic rhythm, where Baudelaire found echoes of his own aesthetic.
786 0# - DATA SOURCE ENTRY
Note Romantisme | o 193 | 3 | 2021-08-06 | p. 124-138 | 0048-8593
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-romantisme-2021-3-page-124?lang=en">https://shs.cairn.info/journal-romantisme-2021-3-page-124?lang=en</a>

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