A biography choreographed by fragments: On Degas Danse Dessin by Paul Valéry (notice n° 223106)
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fixed length control field | 01411cam a2200157 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250112060534.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Kisiel, Marine |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | A biography choreographed by fragments: On Degas Danse Dessin by Paul Valéry |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2021.<br/> |
500 ## - GENERAL NOTE | |
General note | 79 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | When Paul Valéry published Degas Danse Dessin in 1936, he was reminiscing upon his friendship with Edgar Degas. The book, which vindicates discontinuity and aggregation, was first published as a series of loose sheets, and advertised itself as a “kind of monologue” where Valéry promised to deliver memories and reflections. In fact, the work sketches a kind of pas de deux between Degas and Valéry, text and image, drawing and dance, where the author associates the art of the painter and the mechanisms of creation with a “sacred dance” and connects drawing, understood to be a series of signs, with a form of written language Valéry is in charge of decoding. This paper shows how the DDD, a sort of biography choreographed in fragments, links two forms of creation – that of Degas, that of Valéry – and analyses through the “dance of the painter” the spiritual dance Valéry puts at the heart of everything. |
786 0# - DATA SOURCE ENTRY | |
Note | Romantisme | o 193 | 3 | 2021-08-06 | p. 84-95 | 0048-8593 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-romantisme-2021-3-page-84?lang=en">https://shs.cairn.info/journal-romantisme-2021-3-page-84?lang=en</a> |
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