Mallarmé, Raffaëlli: Types de la rue and Chansons bas: The real and the symbol (notice n° 223330)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01382cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112060609.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Illouz, Jean-Nicolas |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Mallarmé, Raffaëlli: Types de la rue and Chansons bas: The real and the symbol |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2021.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 56 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In 1889, Raffaëlli conceived of Les Types de Paris by facing his prints with texts from significant writers. In order to accompany Raffaëlli’s drawings, Mallarmé composed seven small poems, two of which would be reprinted in Poésies, with the title Chansons bas. Three interpretative threads guide our reading: first, locating Les Types de Paris within a tradition of “panoramic literature” and relating this exchange between the arts to the quest for a “middling” genre, between the high genre of the artist’s book and the low genre of the illustrated paper. Second, seeing how two ways of apprehending reality converse and exchange: Mallarmé’s symbolism, Raffaëlli’s naturalism. And finally, articulating the political stakes in these representations of modest folk, which have to make do with the consciousness of a class struggle putting republican ideals in crisis. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Romantisme | o 191 | 1 | 2021-03-15 | p. 90-111 | 0048-8593 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-romantisme-2021-1-page-90?lang=en">https://shs.cairn.info/journal-romantisme-2021-1-page-90?lang=en</a> |
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