Staging at the Théâtre des Funambules: The spectacular, mime, and poetry (notice n° 223557)
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|---|---|
| fixed length control field | 01143cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112060643.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Nye, Edward |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Staging at the Théâtre des Funambules: The spectacular, mime, and poetry |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 18 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The most famous mime actor of the nineteenth century, Jean-Gaspard Deburau, brought a distinctive aspect to the mise en scène of the visual, non-spoken genre of theatre, the pantomime-arlequinade. His unusually subtle, expressive and dialogistic mime alternated with the more usual spectacular staging, giving an overall rhythm not unlike that of speech and song in contemporary vaudeville or recitative and aria in opera. The result was enormously popular, including among high-profile writers and poets like Banville, Baudelaire and Gautier whose observations on the pantomime-arlequinade can only properly be understood when we recognise this binary mise en scène. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Romantisme | o 188 | 2 | 2020-06-11 | p. 60-69 | 0048-8593 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-romantisme-2020-2-page-60?lang=en">https://shs.cairn.info/journal-romantisme-2020-2-page-60?lang=en</a> |
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