Pygmalion’s Gaze (notice n° 227735)

détails MARC
000 -LEADER
fixed length control field 00955cam a2200217 4500500
005 - DATE AND TIME OF LATEST TRANSACTION
control field 20250112061648.0
041 ## - LANGUAGE CODE
Language code of text/sound track or separate title fre
042 ## - AUTHENTICATION CODE
Authentication code dc
100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Baas, Bernard
Relator term author
245 00 - TITLE STATEMENT
Title Pygmalion’s Gaze
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2006.<br/>
500 ## - GENERAL NOTE
General note 98
520 ## - SUMMARY, ETC.
Summary, etc. “Since a painting entertains a relationship with desire, the place of a central screen is always marked” (Lacan). The object of this desire is not so much the object of the representation as of the gaze itself. The correlation between desire, gaze and the function of the screen is exemplified by an engraving by Rembrandt “The painter and his model” on exhibition in the Museum of Tourcoing.
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Rembrandt
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element desire
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element painting
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element gaze
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN)
Topical term or geographic name as entry element Lacan
786 0# - DATA SOURCE ENTRY
Note Savoirs et clinique | o 7 | 1 | 2006-10-12 | p. 83-94 | 1634-3298
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-savoirs-et-cliniques-2006-1-page-83?lang=en">https://shs.cairn.info/journal-savoirs-et-cliniques-2006-1-page-83?lang=en</a>

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