Pygmalion’s Gaze (notice n° 227735)
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fixed length control field | 00955cam a2200217 4500500 |
005 - DATE AND TIME OF LATEST TRANSACTION | |
control field | 20250112061648.0 |
041 ## - LANGUAGE CODE | |
Language code of text/sound track or separate title | fre |
042 ## - AUTHENTICATION CODE | |
Authentication code | dc |
100 10 - MAIN ENTRY--PERSONAL NAME | |
Personal name | Baas, Bernard |
Relator term | author |
245 00 - TITLE STATEMENT | |
Title | Pygmalion’s Gaze |
260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
Date of publication, distribution, etc. | 2006.<br/> |
500 ## - GENERAL NOTE | |
General note | 98 |
520 ## - SUMMARY, ETC. | |
Summary, etc. | “Since a painting entertains a relationship with desire, the place of a central screen is always marked” (Lacan). The object of this desire is not so much the object of the representation as of the gaze itself. The correlation between desire, gaze and the function of the screen is exemplified by an engraving by Rembrandt “The painter and his model” on exhibition in the Museum of Tourcoing. |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Rembrandt |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | desire |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | painting |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | gaze |
690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
Topical term or geographic name as entry element | Lacan |
786 0# - DATA SOURCE ENTRY | |
Note | Savoirs et clinique | o 7 | 1 | 2006-10-12 | p. 83-94 | 1634-3298 |
856 41 - ELECTRONIC LOCATION AND ACCESS | |
Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-savoirs-et-cliniques-2006-1-page-83?lang=en">https://shs.cairn.info/journal-savoirs-et-cliniques-2006-1-page-83?lang=en</a> |
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