Graphic design as critical practice? A case study using a poster produced by Stefan Sagmeister (notice n° 227986)
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| fixed length control field | 02151cam a2200217 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112061722.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Aucompte, Yann |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Graphic design as critical practice? A case study using a poster produced by Stefan Sagmeister |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2018.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 90 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This article analyzes a piece of graphic production from Stefan Sagmeister. The analysis takes the point of view of a theoretical article by graphic designer Lorraine Wild. The aim is to focus on ideology and its critical impact on graphic production. The analytical methodology follows the movement of the notions, from theory to practice. This presupposition allows for an expansion of the analysis of these interactions with the notional and ideological substrata of poststructuralism. How are critical and practical stances influenced by theory? In which ways can the notions involved move between the environments of science, politics, or ethics? How do they guide the practice or determine the framing of graphic design? Societal, technological, and political transformations have deeply affected the work of graphic design, which lost its role as a service provider during the 1980s. The stances that lie at the heart of functionalism derive much of their ideological substrata from political ideology (be it the positivist technological progressivism of socialism or the kind of progressivism advocated by neo-liberal capitalism). Postmodernism overturns a certain balance between forces, mainly in terms of the relations of production, a domain in which it makes a new perception possible that is supported by new conceptual, philosophical, and esthetic framing. This article describes these filiations in order to draw a map of theoretical influences on practices and their qualities. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | critical design |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | ethics |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | ideology |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | graphic design |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | logic of practice |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sciences du Design | o 7 | 1 | 2018-06-27 | p. 71-85 | 2428-3711 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-sciences-du-design-2018-1-page-71?lang=en">https://shs.cairn.info/journal-sciences-du-design-2018-1-page-71?lang=en</a> |
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