The thinker as a black man the New Negro renaissance – a physical riposte to the racism of 1920s America (notice n° 228434)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01090cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112061841.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Martin-Breteau, Nicolas |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | The thinker as a black man the New Negro renaissance – a physical riposte to the racism of 1920s America |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2024.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 68 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Taking as its staring point the cover of the May 1923 issue of The Messenger magazine, this piece looks at how celebrating the power of the black body and mind during the New Negro Renaissance constituted a visual anti-racist strategy for countering racial stigmatisation and oppression. By presenting Auguste Rodin’s The Thinker as a black man, this cover confronted head-on the purely physical source of racial hatred and sought to turn the body into a source of pride for the black community and to overturn the dominant stereotypes of the black body as inferior. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sensibilités | o 12 | 1 | 2024-03-04 | p. 29-37 | 2496-9087 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-sensibilites-2023-1-page-29?lang=en">https://shs.cairn.info/journal-sensibilites-2023-1-page-29?lang=en</a> |
Pas d'exemplaire disponible.
Réseaux sociaux