Between Poetry and Politics: Aimé Cesaire and “Negritude” (notice n° 230728)
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|---|---|
| fixed length control field | 01354cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112062416.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Proteau, Laurence |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Between Poetry and Politics: Aimé Cesaire and “Negritude” |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2001.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 16 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The “Négritude” arose in Paris in the Thirties. Assertion of “Negro identity” in literature can’t be dissociate from colonial domination as well as from the main black peoples representations and from the literary field mode of acknowledgement itself. Due to their school resources, news candidates to literary field admission didn’t want to stand in minor regionalist and exotic “black writer” position wich was allocated to them. Influenced by American “black revival” movements and encouraged by western discovery of “Negro art” as well as by ethnological research development, they undertook to reverse the mark attached to the “Negro identity.” To take a distinctive part in literary field, they invented One “Negro” Culture and Civilization and tempted to demonstrate that it was specific and universal at the same time. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Sociétés contemporaines | o 44 | 4 | 2001-09-01 | p. 15-39 | 1150-1944 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-societes-contemporaines-2001-4-page-15?lang=en">https://shs.cairn.info/journal-societes-contemporaines-2001-4-page-15?lang=en</a> |
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