You said “classical?” The classical music on French television from the 1950s to 1990s (notice n° 232507)
[ vue normale ]
| 000 -LEADER | |
|---|---|
| fixed length control field | 01094cam a2200157 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112063025.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Francfort, Didier |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | You said “classical?” The classical music on French television from the 1950s to 1990s |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2014.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 47 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | In the 1950s, certain television shows broadcast the best variety of classical music to a wide audience. This endeavor, which was meant to be sustained, was modified. Bernard Gavoty, who was a precursory figure in musical television, had a vast musical knowledge which was perceived, rightly or wrongly, as elitist. In the 1960s, a period of experimentation allowed contemporary music to reach television with a show entitled Arcana. Le Grand Echiquier by Jacques Chancel brought another public dimension to this, into which classical music integrated a global cultural logic. |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Le Temps des médias | o 22 | 1 | 2014-05-27 | p. 107-122 | 1764-2507 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-le-temps-des-medias-2014-1-page-107?lang=en">https://shs.cairn.info/journal-le-temps-des-medias-2014-1-page-107?lang=en</a> |
Pas d'exemplaire disponible.
Réseaux sociaux