Enigma and Analogy (notice n° 234585)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 01275cam a2200169 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112063627.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Chevrier, Jean-François |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Enigma and Analogy |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2020.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 39 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Enigma is not only a probable attribute of representation, it is also and above all a vehicle of analogical thought. Like modern art, architectural theory and practice have participated in the vast debate between poetic analogy and mimetic representation. Ever since the nineteenth century, analogy has permeated the realm of topographic views ( vedute) and architectural imagery. It has become part of the mental baggage of architects and urban planners, for it supplies model-images. Through analogy, enigmatic motifs (or elements) graft themselves onto commonplaces of representation and onto constructive typologies. This phenomenon also applies to the intersecting history of the arts and technology. Analogy links the interpretation of architectural forms to culture’s underlying movements. |
| 700 10 - ADDED ENTRY--PERSONAL NAME | |
| Personal name | Dusinberre, Deke |
| Relator term | author |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Le Visiteur | o 25 | 1 | 2020-03-02 | p. 173-176 | 1265-7034 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-le-visiteur-2020-1-page-173?lang=en">https://shs.cairn.info/journal-le-visiteur-2020-1-page-173?lang=en</a> |
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