Ornette: Equality is… something else! (notice n° 234657)
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| fixed length control field | 01782cam a2200229 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112063634.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Hubert, François-Xavier |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Ornette: Equality is… something else! |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2018.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 89 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | This article aims to explore the political aspects that can be found within the musical thinking & playing initiated by Ornette Coleman considering that this idiosyncratic approach has been displaying a certain force of disruption and dissensus throughout Coleman's lifetime and beyond. Was Coleman a misunderstood genius or a fraud? First, we will briefly evoke the controversies following the reception of jazz music in Europe and in the United States in order to emphasize how Coleman's musical approach is constantly resisting the traditional oppositions between tradition and modernity. This will show us how the very notion of displacement becomes a key element in Coleman's own harmolodic “theoretical practice” which finds its very strength in the reshaping of spaces and temporalities as every individual collectively experiences their own way of “being in the now.” This will enable us to focus in more details on the political value that is contained within the philosophy of harmolodics which keeps questioning our possibilities to invent, individually and collectively, other ways to live and inhabit the world. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | collective creation / interaction |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | philosophy |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | experimentation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | time / temporality |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | improvisation |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | aesthetics |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Volume ! | 15:1 | 2 | 2018-12-17 | p. 71-95 | 1634-5495 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-volume-2018-2-page-71?lang=en">https://shs.cairn.info/journal-volume-2018-2-page-71?lang=en</a> |
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