Beyoncé’s Overwhelming Opus; or, the Past and Future of Music Video (notice n° 234672)

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100 10 - MAIN ENTRY--PERSONAL NAME
Personal name Vernallis, Carol
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245 00 - TITLE STATEMENT
Title Beyoncé’s Overwhelming Opus; or, the Past and Future of Music Video
260 ## - PUBLICATION, DISTRIBUTION, ETC.
Date of publication, distribution, etc. 2018.<br/>
500 ## - GENERAL NOTE
General note 56
520 ## - SUMMARY, ETC.
Summary, etc. This article’s broad aim is to demonstrate how to analyze a music video. I’ll consider several videos by Beyoncé as well as a number from music video's history. I’ll show how Beyoncé stands as the genre’s fulcrum, both formal innovator and historical guardian. I’ll propose a working definition for the genre, and discuss music video’s technological and socio-economic influences. I’ll highlight some of the genre’s specificities, as well as show how audiovisual relations have changed, and the ways analysis might attend to technology, platform, and musical style.
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Topical term or geographic name as entry element analysis (musical)
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Topical term or geographic name as entry element experience
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Topical term or geographic name as entry element representation (visual)
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Topical term or geographic name as entry element cinema
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Topical term or geographic name as entry element creation / creativity
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Topical term or geographic name as entry element videos (music) / clips
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Topical term or geographic name as entry element aesthetics
786 0# - DATA SOURCE ENTRY
Note Volume ! | 14:2 | 1 | 2018-05-04 | p. 55-82 | 1634-5495
856 41 - ELECTRONIC LOCATION AND ACCESS
Uniform Resource Identifier <a href="https://shs.cairn.info/journal-volume-2018-1-page-55?lang=en">https://shs.cairn.info/journal-volume-2018-1-page-55?lang=en</a>

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