The Unnatural and Impossible Storyworlds of Michel Gondry’s Music Videos: The Mise en Abyme of “Bachelorette” (notice n° 235569)
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| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112063847.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Buckland, Warren |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | The Unnatural and Impossible Storyworlds of Michel Gondry’s Music Videos: The Mise en Abyme of “Bachelorette” |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2018.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 57 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | La première moitié de l’article dégage les principaux procédés rhétoriques et narratologiques utilisés par le vidéaste Michel Gondry dans trois de ses clips les plus emblématiques (« Come into My World » [2002], « Deadweight » [1997] et « Let Forever Be » [1999]) afin de créer des storyworlds non naturels et impossibles. Ces procédés comprennent l’antithèse, la similarité, l’inversion, le déplacement, la duplication/répétition, l’agrandissement/réduction, la substitution, la superposition, l’enchâssement et la mise en abyme. Dans la deuxième moitié, nous étudions la création par Gondry d’un storyworld complexe dans « Bachelorette », réalisé pour Björk en 1997. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The first half of this essay identifies key rhetorical and narratological conventions video artist Michel Gondry employs to create unnatural and impossible storyworlds in three of his most iconic music videos: “Come into My World” (2002), “Deadweight” (1997) , and “Let Forever Be” (1999). The key conventions identified include: antithesis, similarity, reversal, displacement, duplication/ repetition, magnification/ reduction, substitution, superimposition, embedding, and mise en abyme . The second half of this essay focuses on Gondry’s creation of a complex storyworld in his 1997 music video of Björk’s song “Bachelorette.” |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | representation (visual) |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinema |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | form / structure |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | creation / creativity |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | videos (music) / clips |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | aesthetics |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Volume ! | 14:2 | 1 | 2018-05-04 | p. 83-96 | 1634-5495 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/journal-volume-2018-1-page-83?lang=en">https://shs.cairn.info/journal-volume-2018-1-page-83?lang=en</a> |
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