Envisagement (notice n° 271506)
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| 000 -LEADER | |
|---|---|
| fixed length control field | 02676cam a2200409 4500500 |
| 005 - DATE AND TIME OF LATEST TRANSACTION | |
| control field | 20250112080643.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Dehais, Dominique |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Envisagement |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2024.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 73 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Le portrait, qu’il soit peint, photographique ou dessiné, est étroitement lié à l’avènement de l’image en Occident chrétien. De l’ imago à l’icône puis de la peinture classique à la photographie, le statut du visage inscrit son empreinte dans la matière des artefacts. Ce qui se représente alors dans cette trajectoire historique serait le long procès de l’envisagement comme figure d’autonomie du sujet moderne dans l’autoportrait. Le destin paradoxal de cette « conquête de soi » s’exprime aujourd’hui dans la pratique mondialisée du selfie. Action d’émancipation aux modes de représentations ou d’aliénations à des visibilités hégémoniques ? Le selfie bouleverse-t-il la notion d’image et sa capacité à témoigner d’une réalité ? Que raconte ce nouveau régime de la figure numérique ? |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | The portrait, be it painting, photograph, or drawing, is tightly wound with the advent of the image in the christian west. From imago to icon, from classical painting to photography, the status of the face imprints into the artifact’s matter. What comes out of this historical trajectory may be the slow process of envisaging (the making of the face as a concept of its own, representing the person) as taking autonomous control of the modern subject’s public representation through the self portrait. The destiny of this paradoxical “conquest of the self” expresses itself now in the globalised selfie. Is it an emancipation from the modes of representation, or the submission to hegemonic norms of visibility? Does the selfie overthrow the notion itself of image, and the images’s capacity of being reality’s witness? What does this new regime of the digital figure tell us? |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mime |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mimétisme |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | violence |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | imago |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | visage |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mimésis |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | selfie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | figure |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | modèle |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | icône |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | face |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mimicry |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mime |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | violence |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | imago |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | mimesis |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | model |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | icon |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | selfie |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | figure |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Journal des anthropologues | 174-175 | 2 | 2024-02-07 | p. 111-123 | 1156-0428 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-journal-des-anthropologues-2023-2-page-111?lang=fr">https://shs.cairn.info/revue-journal-des-anthropologues-2023-2-page-111?lang=fr</a> |
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