Espace acteur et « drame paysager » : le cinéma de Michelangelo Antonioni (notice n° 295483)
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| control field | 20250117215024.0 |
| 041 ## - LANGUAGE CODE | |
| Language code of text/sound track or separate title | fre |
| 042 ## - AUTHENTICATION CODE | |
| Authentication code | dc |
| 100 10 - MAIN ENTRY--PERSONAL NAME | |
| Personal name | Di Méo, Guy |
| Relator term | author |
| 245 00 - TITLE STATEMENT | |
| Title | Espace acteur et « drame paysager » : le cinéma de Michelangelo Antonioni |
| 260 ## - PUBLICATION, DISTRIBUTION, ETC. | |
| Date of publication, distribution, etc. | 2014.<br/> |
| 500 ## - GENERAL NOTE | |
| General note | 8 |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Inspiré à ses débuts par le néoréalisme italien, le cinéma de M. Antonioni s’est imposé comme celui des sentiments humains, de la névrose, de la communication difficile entre les êtres, particulièrement dans leurs relations de couple. Pour autant, loin d’emprunter une démarche psychologique bavarde, ou symbolique abstraite, les films d’Antonioni se caractérisent par l’effacement des dialogues, de la parole et de la musique, au profit d’une large utilisation des espaces : paysages géographiques (surtout urbains), dispositifs d’objets, effets de distance et de proximité, de perspective, etc. Sa technique consiste à fusionner, dans une même substance spatiale, paysages, objets et personnages (notamment au travers des spatialités de leur corps), conférant aux uns et aux autres une même valeur sensible de signe. Il procède aussi par de longs plans séquences au cours desquels les acteurs s’effacent devant un contexte spatial qui concentre alors toute la tension d’épilogues inaboutis. En somme, M. Antonioni est parvenu à traduire l’indicible des rapports humains par le recours à l’espace et aux spatialités, créant ainsi un langage cinématographique original. |
| 520 ## - SUMMARY, ETC. | |
| Summary, etc. | Space as an Actor and “Landscape Drama”: Michelangelo Antonioni’s Cinema M. Antonioni, who was inspired by Italian neo-realism in the beginning of his career, became famous for his movies about feelings, neurosis, and communications difficulties between human beings, especially men and women as couples. Yet, far from being based on a talkative psychological approach, or on an abstract symbolic one, his movies are characterized by the effacement of dialogues, speech, and music, replaced by a broad use of spaces : geographical spaces (especially urban ones), organized systems of objects, effects of distance and nearness, of perspective, etc. Antonioni blends landscapes, objects, and characters (especially through their bodies’ spatialities) in the same spatial substance, giving each of them the same tangible value of signs. He also uses long sequence shots during which characters give way to a spatial context concentrating all the tension of unfinished epilogues. Overall, Antonioni managed to express the unspeakable dimension of human relationships through the use of space and spatialities, thus creating an original film language. |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinéma |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | langage |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | distance |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | paysage |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | spatialités |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | Antonioni |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | corps |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | espace |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | communication |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | body |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | distance |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | perspective |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | spatialities |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | cinema |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | space |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | language |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | landscape |
| 690 ## - LOCAL SUBJECT ADDED ENTRY--TOPICAL TERM (OCLC, RLIN) | |
| Topical term or geographic name as entry element | communication |
| 786 0# - DATA SOURCE ENTRY | |
| Note | Annales de géographie | 695-696 | 1 | 2014-04-07 | p. 605-625 | 0003-4010 |
| 856 41 - ELECTRONIC LOCATION AND ACCESS | |
| Uniform Resource Identifier | <a href="https://shs.cairn.info/revue-annales-de-geographie-2014-1-page-605?lang=fr&redirect-ssocas=7080">https://shs.cairn.info/revue-annales-de-geographie-2014-1-page-605?lang=fr&redirect-ssocas=7080</a> |
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